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Continuation of Flat Hat retrospective on Pappy's tenure with William and Mary. "I want to go out with my head up." "Fehr has never been one to disguise his pride in the choir he has shaped and molded into one of the nation's best. Pappy has repeatedly stated that his biggest thrill "has been the devotion and loyalty of choir members through the years."

Amid the devotion and loyalty, there have been scattered moments of controversy. Many claim to be offended by the single-minded discipline Fehr insists upon at all costs. Others have questioned his selection of Stephen Foster tunes that involve lyrics referring to "darkies" claiming they are offensive to the black student.

Yet the respect and admiration exuded by the members of the choir and chorus are unquestionable signs of Pappy's ultimate success. It is difficult to imagine a William and Mary choir that doesn't carry the Fehr trademark of discipline, showmanship and the utmost of quality.

As he gazed at the remarkable number of group pictures circling the office, that like the rings of an old oak tree tell the story of another memorable year, Pappy can't help but reminisce about 29 years of achievement and success.

But it's not a habit that the master recommends, even on the eve of his long-deserved retirment. "Pappy" has always told his students that "you don't look back, you always look forward. You've got to keep going."

It's one of Carl Fehr's most difficult commands to obey. For through his devotion, painstaking efforts and endearing manner, Pappy has left behind a lot to remember.

(Caption) In 1958, Fehr ponders on the future of a choir that has already achieved national recognition. (Caption) In 1953, Fehr poses for a formal picture before the annual Christmas concert.